Cassini: The Grand Finale: For Media. News and Status Reports. NASA and the Cassini team will issue periodic status reports on mission activities and make them available online at Latest Status. More news is also available at https: //www. NASA has released several media advisories in advance of Cassini's end of mission with details about press accreditation, media briefings, special media opportunities, on- site logistics at the Jet Propulsion Laboratory, and NASA TV and Web coverage.

Video. Replay of April 4 Grand Finale Preview: Images. NASA Television. NASA Television Channels are digital C- band signals, carried by QPSK/DVB- S modulation on satellite Galaxy- 1. MHz, vertical polarization, data rate of 3. MHz, symbol rate of 2. Mbps, and 3/4 FEC. A Digital Video Broadcast (DVB) compliant Integrated Receiver Decoder (IRD) is needed for reception. For NASA TV information and schedules on the Web, visit www.

Live NASA TV programming on NASA’s public channel is available on the Web atnasa. The NASA TV media channel is available live at https: //www. Archived NASA TV programming is available soon after it airs at youtube.

Additional Live Video Streams. Additional live streaming video will be available at youtube. Schedule details for these channels will be available at saturn. NASA Live Streaming Channel Guide. A Cassini playlist from JPL's You.

Tube channel. *For Media Using Live. U Multipoint: Contact Live. U support at least two days in advance of event (by Sept.

Tell them our group name: JPL. On- Site Media Logistics. News media representatives covering Cassini end- of- mission activities in person must be accredited through the Jet Propulsion Laboratory Media Relations Office. Registration for media has already ended. Journalists may call (8. Cassini on the Web.

Cassini information - - including this press kit, news releases, fact sheets, mission details and background, status reports and images — is available on the web at https: //saturn. Mission updates are also available on Twitter (@Cassini. Saturn), Facebook (https: //www. NASACassini). About the Mission. The Spacecraft. Social Media: Join the Conversation.

Images Interactives. Watch Lisa Lampanelli: The Queen Of Mean Online Facebook more. Printable Materials. Program and Project Management. The Cassini program is an international cooperative effort involving NASA, the European Space Agency (ESA) and the Italian Space Agency, Agenzia Spaziale Italiana (ASI), as well as several separate European academic and industrial contributors.

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The Cassini partnership represents an undertaking whose scope and cost could not likely be borne by any single nation. The mission was made possible through shared investment and participation. In the United States, the mission is managed for NASA's Science Mission Directorate by the Jet Propulsion Laboratory (JPL), Pasadena, California. JPL is a division of Caltech. At JPL, Earl H. Maize is the Cassini program manager. Linda J. Spilker is the Cassini project scientist, and Scott G. Edgington is the deputy project scientist.

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At NASA Headquarters, Bill Knopf is Cassini program executive and Curt Niebur is Cassini program scientist. Development of the Huygens Titan probe was managed by the European Space Technology and Research Center. The center's prime contractor, Aerospatiale (now Alcatel) in Cannes, France, assembled the probe with equipment supplied by many European countries. Huygens' batteries and two scientific instruments came from the United States. ASI contributions were major components of the Radio Subsystem and the Radar and Visible and Infrared Spectrometer instruments. At ESA, Nicolas Altobelli is the project scientist. Enrico Flamini, the ASI contract manager during the development phase, is the ASI project representative. The U. S. Department of Energy provided Cassini's radioisotope thermoelectric generators.

The U. S. Air Force supplied the Titan IVB/Centaur launch vehicle. These components, as well as the spacecraft propulsion module, were built by the mission's major U. S. contractor, Lockheed Martin.

Goodbye Popcorn Time – Popcorn Time! Medium. We started Popcorn Time as a challenge to ourselves. That’s our motto.

That’s what we stand for. Pochoclin our mascot. We are enormously proud of this project.

It is the biggest thing we’ve ever achieved. And we’ve assembled an amazing team in the process, with people we love to work with. And to be honest, right now every single one of us has a knot in our stomachs. We love Pochoclín and everything it stands for, and we feel that we are letting our amazing contributors down. The ones who translated the app into 3. We stand in awe at what open source community can do.

We are startup geeks, first and foremost. We read Techcrunch, Reddit and Hacker News. We got frontpaged in Hacker News twice. At the same time. We got articles on Time Magazine, Fast Company,Tech. Crunch, TUAW, Ars Technica, Washington Post, Huffington Post, Yahoo Finance, Gizmodo, PC Magazine and Torrent Freak, just to name a few.

And we got some action on TV and Radio shows, and this doesn’t even include the many interviews we had to reject due to the barrage of media attention. And they were not chastising us. They were cheering for us. We became the underdog that would fight for the consumer. Some people we respect - scratch that- some of our heroes spoke wonders of Popcorn Time, which is a lot more than what we wanted to get out of an experiment we threw together in a couple of weeks.

Popcorn Time as a project is legal. We checked. Four Times. But, as you may know, that’s rarely enough. Our huge reach gave us access to a lot of people, from newspapers to the creators of many sites and apps that had a huge global reach. We learned a lot from these people, especially that standing against an old fashioned industry has it’s own associated costs. Costs that no one should have to pay in any way, shape or form. You know what’s the best thing about Popcorn Time?

That tons of people agreed in unison that the movie industry has way too many ridiculous restrictions on way too many markets. Take Argentina for example: streaming providers seem to believe that “There’s Something About Mary” is a recent movie. That movie would be old enough to vote here. The bulk of our users is not in the US. It’s everywhere else. Popcorn Time got installed on every single country on Earth.

Even the two that don’t have internet access. Watch The Perfect House Online. Piracy is not a people problem. It’s a service problem.

A problem created by an industry that portrays innovation as a threat to their antique recipe to collect value. It seems to everyone that they just don’t care. But people do. We’ve shown that people will risk fines, lawsuits and whatever consequences that may come just to be able to watch a recent movie in slippers. Just to get the kind of experience they deserve. And maybe, that asking nicely for a few bucks a month to watch whichever movie you want is a bit better than that. Popcorn Time is shutting down today. Not because we ran out of energy, commitment, focus or allies.

But because we need to move on with our lives. Our experiment has put us at the doors of endless debates about piracy and copyright, legal threats and the shady machinery that makes us feel in danger for doing what we love. And that’s not a battle we want a place in. Pochoclín. Goodbye!